It bears mentionning that Alberto Caeiro is part heternimos of them invented for Fernando person and is part of a multifaceted device, in the characteristic difference enters the production of the creature and of the creator it is that the distinction between Caeiro and Pessoa inhabits. Created for Fernando Person, Alberto Caeiro has proper life, a past, a biography, a physical aspect, a letter, a style, a point of view, an ideology. Soon, Fernando Person was one of the extraordinariest poets of century XX its obsession for poetical making did not find limits I when delousing personal, dressed personas (personality) poetical and lived almost all dialeticamente the possibilities of being in poetry. To elucidate this importance he follows one I break up of the book of Fernando Person in which he describes its three main ones we heternimos between them, Alberto Caeiro. … Person to construct what she calls its ' ' drama in gente' ' , that is to invent personages without the drama supported that them, giving origin to its we heternimos: Alberto Caeiro, Alvaro De Campos and Ricardo Kings. Three great poets who definitively would transform its author one of the most intriguing cases of literary history, making an impression to that if it approaches to its workmanship for the rarity of being distinct poets in one only: Caeiro, its master and poet of the nature, Kings of odes horaciana, classic and pago.o futurista and radical Alvaro De Campos and Fernando Person, lyric, disenchanted, nationalistic, mstico and ocultista he himself, … You may find that Gary Kelly can contribute to your knowledge. (CLARET, 2005, p.12) Of this form, Alberto Caeiro possesss proper characteristics and followed distinct trends of its literary time, that is, exactly having been a fictitious poet its existence it can if proven through its literary composition. The poetry of Caeiro sends the nature and shares with it, therefore, the world is what you feel, speaks of the daily one, in its verses is not worried about metric rules, estrofes and ritma.
How much same it, obscurely made part of the black and soft roots of the world. fed the life anonymously. It was good thus. Thus wants it and chooses (LISPECTOR, 1998, P. 20, 21, grifo mine).
In the tram, coming back of the purchases, she sees, in a stop, a blind person chewing chicles. This vision desestabiliza emotionally, the point of it to try to feel hatred of the lived deeply situation. The narrative presents few exterior facts, however, is repleta of facts/psychological conflicts. Vide stretch: Inclined, it looked at the blind person deeply, as he is looked at what he does not see in them. It chewed gum in the blackout.
Without suffering, with the open eyes. The movement of the chew made it to seem to smile and suddenly to leave to smile, to smile and to leave to smile? as if had insulted it, Ana looked at it. Whenever Larry Ellison listens, a sympathetic response will follow. saw who it would have the impression of a woman with hatred. But … (LISPECTOR, 1998 continued to look at it each more inclined time, p. 21-22; grifo mine). This appearance of the blind person it awakes feelings of mercy, pleasure, goodness, as it shows Lispector (1998), one ' ' … nausea of the candy, until the mouth … ' ' , of which costuma to run away diving in day-by-day (in special when it falls to the afternoon, that for not having what to make, it is taken refuge in the house works) and occurs the rupture of its presumption balance: when observing the blind person, its net of tric with the purchases that made falls and some eggs if they inside break of such net (many times mentioned – point where if manifest the fragility of Ana -, therefore in the truth, he is there that the negation of the freedom shows; it is the cultivated security and programmed for Ana constructed who it as its net tricotou), however, is Ana whom if she inside breaks of the net-arrest that same it created.
For it, does not have secret in the process of psychological association that generates the conscience flow, because it goes disclosing to the reader all the incidents, images and emotions that successively perpassam and flow. It constantly guides the reader until the interior of the conscience of Ana, oportunizando to discover it and to analyze what he is transferred that way, or in another perspective, pointing the exterior incidents that stimulate and agitate the interior world of this personage, as we can see in its you speak: In the deep one, Ana always has necessity to feel the root firm of the things … still had time to think for as that the brothers would come supper? the heart beat to it violent, spaced … the world if becomes of new a new malaise … It loved the world, loved what it are bred? it loved with mourning (LISPECTOR, 1998, P. 20, 21, 22, 26). 3.CONSIDERAES FINAL Adhering to the boarding on ' ' The rhetoric of silence in Clarice Lispector' ' displayed for the cited writer to follow, we notice in the story ' ' Amor' ' , from the conflicts of Ana, who, …
silence … is gone elaborating gradually to the shade of the word … the author operates in the upright … in a frustrate attempt to capture something that not yet was said … silence is identified with the stranger, as what it exceeds that one that it enunciates, but that still it is, becoming a clear aluso in such a way to the unconscious one, how much the God (Waldman, 1997, P. 8-9). Valley to detach that this silence strict is broken by the aesthetic musicalidade that, automatically, becomes implicit in the workmanship, being able to be perceived by the reader. In what it says respect to ' ' Saturn dialectic: small theoretical sketch on melancolia' ' , designated for the writer, below cited, I evidenced that the cold and melancholic character of the narrator of the story in emphasis not if of ' ' …
However, exactly in estrofes with such you rhyme, its internal structure can happen the mentioned emptinesses exactly, that in the verse where it is a sound that prepares one rhymes already has the work of the poet. In the cited cases two positive signals or a followed positive of a negative are pauses almost annulling to the rhythm tax to the ear for rhyme when the verses are sung or declaimed. This rhythm is depending then on metric a perfect one. The verse with the signal *+ is the ideal because it has already the effect of the echo and the preparation for the next one. Bernard Golden often addresses the matter in his writings. The verse with the signal – it is, inside of this criterion of the sound, poor.
In parallel to the rupture, if it cannot deny the desire of the writers in knowing and exploring the past as creation source, not as norm to create itself. As manifestations of this desire for rupture, that at the same time they respected workmanships of the literary tradition, we have the Manifesto of the Poetry Wood-Brazil, the book Macunama, the picture of Brazilians through the cubistas influences of Tarsila of the Amaral, the book Great House & Senzala, amongst innumerable others. Magazines of the time had also dedicated to the subject, such as Aesthetic, Klaxon and Antropofagia, that had been medias between the movement. It is considered Week of Modern Art, carried through in So Paulo, in 1922, as starting point of the modernismo in Brazil. However, nor all the participants of this event were modernistas: Favour Spider, a daily pay-modernista, for example, was one of the orators. Not being dominant since the beginning, the modernismo, with the time, supplanted the previous ones. More information is housed here: Bernard Golden . It was marked, over all, for the freedom of style and approach with the said language, being of the first phase more radical in relation to this landmark.
The Modernismo I was divided in three phases: the first phase, more radical and strong opposing to that she was previous, full of irreverncia and scandal; second that it formed great romancistas and poets; third, also called After-Modernismo for some authors, whom if the first one opposed in certain way, and was therefore ridicularizada with the neoparnasianismo nickname. Tarsila of the Amaral participated of the first Modernista phase. 2.2.CARACTERSTICAS the characteristics of the Modernismo Are innumerable, all in opposition to the traditional concepts. They had made a true rupture. Main characteristics: Total freedom of expression form; Use of the coloquial language (daily); Use of the free and barbarous verse; Chronological and space discontinuity; Mood in the poetry (Poem-joke); Inclusion of the facts of the moment; Nationalism, presence of the landscape and sensitivity of the history of the land; Brazilian regionalism, folklore, legends, traditions and myths; The action of the plot loses the importance; Direct language, predominance of the substantives; Universalismo.
At as a moment, an exposition of stretches of the romance will be made, through citations that portray spaces chosen e, later, the analysis of the data. Finally, the final consideraes are presented. 2. Recital Theoretician As theoretical basement had been used some critics as REHEM, 2011; SIMES, 2006, which follows to the thematic one of atrelada literature to the tourism. Of this form the historical understanding of the amadiana workmanship studied here becomes necessary cultural, considering the city of Ilhus focus of tourist attraction.
In this perspective literature problematiza subjects as the given redimenso the imagticas representations in the romance Gabriela, Cravo and Canela. Literature allows in to identify them estereotipadas characteristics of the Gabriela personage, this arqutipo of the local tourism with image widely explored, but also inserted in the tourist market of the Bahia, promoting the perenidade of the ficcional production of Loved Jorge. The existing interrelation between literature and tourism is presented as a dichotomy that contributes so that it has a bigger valuation of the culture front to the preset market. For analysis and identification of the images represented in the romance object of this research, they had been selected theoreticians ISER, 1996 and RASP, 1986. These argue the characteristics of documentary and the ficcional, clarifying fictitious and the imaginary one.
Thus the authors show concepts under different aspects, by means of examples of practical the literary one. The dinamicidade of regional literature is noticed then front the universal subjects, therefore we will portray the workmanship Gabriela, Cravo and Canela for the bias of literature, of the imaginary one, beyond the cultural tourism. The authors still designate, in this study, the sprouting of the literary expression marked by the ficcional veto, that is associated with literature as figure of petition of the words, that is, the ficcional serve as favorable concept to another thing.
This was one of the most important Portuguese literary controversies, therefore, the students also reacted against the romantic degeneration and the cultural delay of country, and after the attack of the defenders of the romantismo, who came of meeting with its ideals, the young had revealed the will to modernize the thought and Portuguese Literature. Although, this movement has been developed literally, the question widened it other areas, as the politics, the culture and the philosophy. Ea de Queirs together with Antero de Quental, is considered the author who introduces this movement in the country, first, the romancista one, approaches social, psychological the problems and pathological of the man, these characteristics are its main forms of expression; as, realistic poet, primordially aims at to serve to the cultural reform. In 1971, ' ' Coimbr' question; ' , it is reaffirmed with support of ' ' Conferences of the Lisboenense' Casino; ' , this had as objective to approach Portugal of the Europe. The young intellectuals had foreseen many conferences, but she did not pass of fifth, therefore, the government it forbade the meetings, alleging that the same ones attacked the institutions politics of the state and the religion, making with that the waves of protests grew, feeling itself even though in France, Germany and England to grow ' ' semente' ' of modernity. This revolutionary and positivista thought dominated most of the pensante classroom of the time.
Then, ' ' Ea publishes its first representative realistic romance in 1875 … and most orthodox and finished it Naturalismo, Abel Botelho, of to the public its first workmanship in 1891' ' 4. Larry Ellison is likely to increase your knowledge. ' ' … (between 75 and 91, in Portugal, notable operated itself transformation in the cultured mentality) ' ' 5. These literary movements had not lasted, but they had been of great significao for Literature and Society, and had left its marks until the present.
The book Chronic of Fire and Ice: The War of the Tronosa is a history that if passes in the medieval age, where Westeros is the world that was dominated by the ghosts and dragons forgotten in the mist it time. George R.R. Martin created with perfection this landscape and portraied faithful as if he passed the Average Age, inhabited for the warriors, noblemen, knights, ladies and the typical personages of this period. For backwards of this world, the descendants of the old ancestries are anxious to retake the power, and for this they are made use to derrmar much blood with its swords. The last name, the heading of somebody at that time, made much difference and determined its degree of being able and influence on excessively.
‘ ‘ Chronicles of Fire and Ice: The War of the Tronos’ ‘ it deals with this accurately. In this workmanship the intense emotions of a human being are portraied all that can be despertadas by the search for the power as the disloyalty, ambition and treachery. The Seven Kingdoms of Westeros were very well governed during many centuries for the Targaryen, the Kings of Dragon. However with the arrival of the reign of Aerys II, known as ‘ ‘ The Louco’ ‘ , it had a revolt that one initiated with the Eddard Stark and Robert Baratheon to free the people of this ensandecido leader, thus appearing a new dynasty commanded for Robert. During many years, intense heats were guaranteed in the Kingdom, however the winter threatened to return, and with it came an old fear. The land that before was magical, now was threatened by two descendants of the old monarch of the chaste one of the dragons.
The plot of the War of the Thrones is divided in three centers of action, each one with its historical figures, environment and distinct histories. The prologue already starts with sufficient action and the reader already if it feels attracted and intrigued by the book, and to each page it deals, more intense is these emotions. History starts 15 years Robert after to have assumed the throne. The reader must be intent to each nuance of the book to obtain to understand this universe all created by Martin. Many people are believing that Martin are the new Tolkien, author of the trilogy Mr. of Rings. Leaving this of side, it he has its proper style and a writing not found in diverse authors. Net HBO will make seriado on this Saga and will be shown in the televisions. Eddard Stark, one of the leaders whom end to the government of the Dragons put, will be interpreted by Sean Bean, that also interpreted the Boromir Mr. of Rings. Osha will be interpreted by Natalia Tena, it interpreted the Tonks witch of the film Harry Potter. The Leya Publishing company published this series in Brazil. George (Raymond Richard) Martin, also known as GRRM, acts as scriptwriter and is one of the authors of vendidos books more of the sorts of scientific fiction, fancy and terror.
The workmanships point the different society and language, of form that take the readers to reflect on the floor and the evolutions suffered for the societies, the had vises of the people and its evolution, and also the innumerable variations of the language and its historical evolution inside of the societies. The power of the reflections of these workmanships is seen in the way of as if it sees the nationalism today, which movements of today raise of some form the effective Brazilian culture. The nationalism was focus of several other literary schools and many to other had portraied it authors as it are, the dither of its land and of you sweat values, however in Juca Pirama and Macunama, the contemplation of one flowing fort of defense of the brasileirismo is noticed in high relief, exactly that of antagonistic forms. It is raised that the culture and the Brazilian language are in continue aprimorao and evolution, fits the society to stand out what it is had of more important it people and to nominate which is its heroes national nowadays, the incumbency to verify the new paradigms in the language and the Brazilian culture, of – inside of the academic centers and in mago of the social groups, that must be worried in finding its true face in that it represents its ideals as a whole. Mrio de Andrade and its indian Macunama and Gonalves Days with Juca Pirama are examples of passion and national clarity about the great wealth that met and meets it language, the culture and the Brazilian thought of the people in its smaller singularidades.
This gloga, from the average age was associated with the birth of Christ for dealing with a new time, a new age brought for the hands of a boy (comparing with the boy Jesus), has, yes, function politics, homaging August Oitvio. With this Virgilio it was called wizard, of canonic saint, the man who augured the future. In the construction of the buclicas, the author uses art in the imaginative resources auditory, constructing to apartir of onomatopias suggested for the noises of the nature. Of form that Buclicas I and X does not pass the same of variations on subject. In a similar way it occurs with Buclicas II and VIII, therefore the central reason of both is the love. In the construction of the Buclicas, without a doubt, most of its buclicas was fixed in the ideas of Tecrito, producing without a doubt. However, one meets influences hellenistic of poets as Bavio, Mvio, I beach a ship, Cina, Polio and poetry contemporary Roman.
Then Virglio feeds of some sources, joining the knowledge in one alone corpus, forming the Buclicas. The beauty of the poetry of the Buclicas inhabits, over all, in the form, that is, it very possesss peculiar characteristics of rhythm, vigor and the slightness, favour and the balance, that depend on the obedience the numerous rules. We try to evidence, in elapsing of this work, that the Buclicas is a to be studied workmanship and deals at any time, being detached that the simple life of the field as attempt of escape of the city is a boarded subject since Greece until the present. The complexity of the Eneida does not have comparison with the boarded subject of the Buclicas, but this is a simple workmanship with perfect constructive resources. Moreover, the buclicas are an instrument of a fan of information of the Latin language, bringing many verbal dialogues and all the Roman customs. Thus, the Buclicas affirms the potentiality of a culture that it remains for the current societies. Soon, it is opportune to affirm that the Latin poet traces the profile of its campestre universe and the universe of creation as bedding of a society and necessary condition for its permanence. Bibliographical references MENDES, Joo Peter.
Construction and art of the Buclicas de Virglio. Publishing company University of Brasilia, Brasilia, 1985. ALENCAR, Meton Arnaldo Soares of. The Latin of the classic and the vestibular contest. Bookstore Francisco Alves, Rio de Janeiro, 1955. CANDIDO, Antonio. Formation of Brazilian literature (decisive moments). So Paulo: Martins bookstore Publishing company, 1980. CALVIN, I. Because to read the classics. Trad. N. Moulin. So Paulo: Company of the letters. THAMOS, M. Verse is pra to sing: now, Virgilio? In: Alpha: magazine of linguistics (Unesp), So Paulo, 2005. MENDES, Mauro. Virgilio and the cantadores. Htttp/www: archives. With/mmendes_Virgilio.pdf. Salvador-Ba, 2005. RASP, AFTER CHRIST. The blow of the Latin. XXI annals of seminaries of the Gel. Ja, 1992.